Film it. Count it. Fix one thing.
Ten to thirty seconds of skipping, filmed on your phone. dulike finds every jump, works out which were doubles, and picks the one thing worth fixing next.
It changes what counts as a fault: singles are meant to be low, doubles are not.
Already filmed it? Choose the video, then choose the part with your jumps — no editing app needed.
Your video never leaves this device. The pose model runs in this tab, and what it hands the analysis is twelve joints a frame — no face. Signed out, the result stays in this browser. Sign in to keep it in your account instead.
Stopped. Nothing was read and nothing was saved — pick another section, or film or choose a clip when you're ready.
Choose the part with your jumps
Play or drag to where the skipping starts, then set the start and end — up to 30 seconds. Nothing is read until you say so, and the video stays on this device.
Previewing and picking saves nothing. Each read that finishes is saved as its own set.
- Head to feet in the frame the whole time, with a bit of floor below.
- 10–30 seconds of skipping.
- Phone held still — propped at hip height, about three big steps away.
Filming it so the count is worth having
- Front-on. Phone facing you, about three big steps away, at hip height — leaning on a water bottle is fine.
- Head to feet in the frame, the whole time, with a bit of floor below your feet. No feet, no jumps.
- 10–30 seconds. A longer video is fine: after you choose it, pick the thirty seconds with your jumps in (the first thirty, unless you move it).
- Already filmed it? Choose the video and pick the part with your jumps — a set halfway through a workout recording works.
- Hold still, camera. A moving phone looks like a moving athlete.
- Good light, plain background if you can. The pose model is only as sure as what it can see.
Side-on works too, and sees different things: knees coming up and leaning over, but not how wide your hands are. The read says what it could not check.
Watch it back
The twelve joints the count was taken from, at quarter speed. The trail is your hips — its bumps are your jumps. Teal bars are singles, coral bars are doubles.
That's the whole loop: a count, one thing to fix, one drill. Yours will be messier than a cartoon's — that's what the camera is for.
Can't film right now?
Count a set yourself and log it on Progress. A typed-in best moves you up the ladder exactly like a filmed one.